“I've Got a Spare Room” He Told The Shamed Woman — “And I Don’t Care What They Think”

Chapter 3

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Martha did not apologize. She only stopped speaking against her, which in that town carried almost as far. It had been a hard week. A difficult birth had kept Molly two nights running, and she had come home both mornings gray with exhaustion. Frank had said nothing, only left things where she would find them.

Coffee in the mornings, a plate kept back at night. On the Friday she came home before dark and sat in the chair nearest the fire and did not reach for anything. Frank came in from the stock and found her there. He sat in the other chair and worked a length of leather, and the fire did what fires do, and the house settled around them. After a while her eyes closed.

He went on with the leather. When he added a log and settled back, she had drifted toward him, her head coming to rest against his shoulder with the slow ease of someone who has given up the last of their waking self. He went still. He set the leather on the arm of the chair. The fire worked.

The wind pressed at the windows. He sat with her weight against his shoulder and he knew what this was. He had known for some time. He woke deep in the night with the fire burned to coals and her breath slow and even against his collar. He got up carefully and built the fire back and found the blanket and settled it over her and stood a moment looking at her face which in sleep had let go of its watchfulness and was simply a face.

And it was a good one. He put his coat on and went out before the light came. She woke late with the fire warm and the blanket around her. She looked at the other chair and the piece of leather on its arm and the fire that someone had tended and she did not move for a long time.

The last of the local herd came down from the high pasture on a Saturday, which meant the festival in the square that night, which was the custom. Lanterns strung between the posts, a fiddle, tables of food, the men in from the hills with the looseness of people who have finished a hard thing and are ready to set it down. Molly went because Frank was going. She wore her better dress and stood where the lamplight reached but did not insist at the edge of things the way she had always stood in town after town, present without being seen. Frank came and stood beside her.

The fiddle slowed and the square reorganized itself and he looked at her. "Dance with me." She looked at the square at the people already watching from the corners of their eyes. She handed him her cup. He set both cups on the table and offered his hand and she took it and they walked out into the lamplight.

He was not a graceful man, but he was steady, which in a partner is worth considerably more and she found the rhythm of him quickly. His hand was at her waist and her hand was in his and he was looking at her, not at the crowd, not past her shoulder, at her with an expression that was plain and certain and had been a long time arriving. The song ended. Neither of them stepped back. The fiddle started something livelier.

Frank looked down at her. "Walk with me." They left the light and went to the quiet end of the street where the fiddle became something distant and the cold came off the ridge clean and sharp. Frank stopped and looked out at the dark and she could see him arranging something, a careful man putting words in the right order because he intended to say a thing only once. "The town knows it now," he said.

"They need what you do." A pause. "I need what you do, too. Not the medicine." He looked at her.

"I mean the rest of it." She stood very still. "I'm asking you to stay," he said.

"Permanent. As my wife, if that's what you'd want. Not on account of practicality. I want that to be clear."

It was clear. It had been clear in the coffee left without comment and the fire built up before dawn and the blanket laid over her by hands that tried not to wake her and the horse waiting outside every house she had been called to in the cold. It had been clear on the porch in the fading light when he asked where she had learned what she knew.

The first time she could remember that anyone had wanted to know something about her that was not written in the contents of her satchel. Her hand found his at his side. She put it there against his, warm in the cold air. "Yes," she said. "That's what I want."

He turned his hand and closed it around hers and they stood in the cold while the fiddle played on without them. And neither of them was in any hurry to go back. They were married 3 weeks later on the church steps. The sky was pewter and a pine bough had been fixed to the door because it was nearly Christmas and that was the custom. The minister was brief because Frank had asked him to be.

More people came than either of them had expected. Charlie was there with his hand lightly wrapped but healing clean. And he held the door with his good arm and stood straight about it. Molly carried her satchel to the steps. At the threshold she set it down and went inside without it.

And the people who saw said nothing. Which was the right way to receive it. When it was done they came out into the cold afternoon and Frank's hand was at the small of her back. Not gripping. Just present in the way of something that had decided where it belonged.

They walked home in the early dark. The road was the same road. The cold was the same cold. Behind them the town settled into its evening. Smoke from the chimneys.

Lamplight finding the windows one by one. Come spring the satchel hung on a hook by the door of the small room on Main Street that Frank built out and fitted with a proper door. Martha passed it sometimes on her way to the dry goods and did not stop and did not look sideways anymore. Which was as close to an apology as the town was going to get from her. And it was enough.

Molly worked and Frank worked and the seasons moved through the pasture and the long road into town. And outside the window of that small room on quiet afternoons, you could sometimes hear the livery horses in the pen two streets over. And the sound carried clean in the cold air. And it was a good sound to work to.

And that was the story of Molly and Frank.

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“I've Got a Spare Room” He Told The Shamed Woman — “And I Don’t Care What They Think”

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