He'd Given Up on Twelve Lost Horses — Then a Woman Rode Up With All of Them

He'd Given Up on Twelve Lost Horses — Then a Woman Rode Up With All of Them

Chapter 6

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Jed Holt, Cal's nephew who'd taken over the empty place, came and brought a bottle of something decent. A woman named Prue from the valley who Nora had gotten to know over the winter and who was sharp and funny and had strong opinions about which ranchers in the area were doing it right and which ones were fooling themselves. The preacher drank two cups of coffee and ate three biscuits and talked mostly about the territory's history, which turned out to be his hobby, and Nora drew him out about it because she'd read the book. Small, right.

I remember Nora that afternoon in a blue dress she'd made herself from cloth she'd ordered in January. Ordered it before anything was settled between us, she told me later, because she decided to stay before she said so out loud. That was Nora. She decided things carefully and then she didn't go back on them. She'd looked at this place and looked at me and made a decision and ordered blue cloth and made a dress and waited to tell me because she thought I should come to it in my own time.

I've thought about that a fair amount, the fact that she decided first. There's something a man has to do with that kind of knowledge, that a woman looked at what he was, took her time about it, thought it over honestly and without illusions, and decided yes. You have to decide what to do with it.

Some men, I think, would feel reduced by it, like the choosing diminished them somehow, like they should have been the one to choose first or to have been so obviously worth choosing that there was no deliberation required. I don't feel that way. I feel the opposite. I was a 53-year-old man with bad knees and a mortgaged ranch and 15 years of silence and a back room full of things I'd stopped letting myself want.

That she looked at all of that and took the time to read the ledgers and watch me work and then quietly ordered blue cloth. That's not a small thing. That's a thing I carry. She stood next to me at the window after everyone had gone and the evening was settling in. Gold light going over the south pasture.

She put her hand in mine easy like she'd been doing it for years. The warmth of it. I felt the weight of it in the way you feel a thing that's been missing a long time and then comes back. Not the same as before, different, its own shape but recognizable. Something you know even when you thought you'd forgotten it.

"22 years," she said. "Yep." "You built something." "We're building something," I said.

She squeezed my hand. Outside the window the mares were moving through the pasture in the evening light. Unhurried, the good slow movement of well-kept horses and the foals were among them. The three I'd been most proud of that season.

The dark bay colt moved the best. Long-strided, easy, already carrying himself like he knew what he was worth. His dam was the mare I'd paid too much for four years ago. The one I'd known what she'd throw and been right about.

She moved with him through the long grass and he stayed close the way good foals do. Still learning where the edge of safety is.

Nora was watching them, too. I could feel her watching. The small movements of her attention as she tracked the foals. Same thing she'd been doing since the day she rode in.

"The bay colt," she said. "He's the best one." "I know," she said. "I've known since February."

Of course she had. She leaned her head against my shoulder. One small movement, easy and decided, no performance in it. I put my arm around her, and she fit there the way things fit when they're right, not perfectly, not without adjustment, but correctly. Like the thing was always supposed to be that way.

The summer that followed was the best working summer I'd had on that ranch in many years, and I want to be accurate about why. It wasn't that the work was easier. If anything, there was more of it. The foaling register Nora had started meant better tracking, but more detail to keep. The new grain contract required correspondence I wasn't used to, and the Denton business expanding meant more horses going out, and more people coming through to look.

The work was bigger than it had been. What was different was that I was running it instead of surviving it. That's the word she'd used. She'd said those are different jobs, and she was right. And for the first time in years, I was doing the first one.

In the evenings, we'd sit at the kitchen table after supper, and she'd tell me what she'd noticed in the pasture that day, and I'd tell her what I'd been thinking about the breeding decisions for the fall, and we'd go back and forth on it. She had a good eye, and she wasn't shy about disagreeing with me when she thought I was wrong. She was usually right.

I'd argued with her about the chestnut filly in April, whether to breed her the following spring or wait another year, and Nora had said wait, the filly wasn't settled in her movement yet. You'll get a better foal from a settled dam. I thought she was being overly cautious. I waited anyway. By September, I could see she was right.

The filly moved better and better through the summer, found her stride, and by fall, she was something you'd actually breed toward. "You should have bet me on that," Nora said when I told her. "What would I have bet?" She thought about it. "A month of doing the dishes," she said.

"You'd have won." "I know," she said. "That's why I'd have bet it."

That was how she was, steady and sharp and not particularly modest about either one, which I liked. Margaret had been similar in her own way, a different temperament, softer in how she said things, but the same quality of seeing clearly and not apologizing for it. I thought sometimes about what the two of them would have made of each other. I think they'd have gotten on.

I think they'd have found the common ground pretty quickly, which would have been horses and ledgers and a certain clear-eyed approach to what things were actually worth. Autumn came and the valley went golden and the aspens on the upper slopes turned and then dropped and the cold started moving back in from the north. I put up enough hay. The horses were in good condition going into winter. The ledger was better than it had been in six years.

One evening in October, I found myself sitting at the desk looking at the numbers, the real numbers, what the year had actually done. I sat there for a while. Then I got up and went to find Nora. She was in the barn checking on the pregnant mare.

She had the lantern on the hook and she was standing at the stall door looking in, arms folded on the top rail, patient. The mare looked back at her. They developed a relationship, those two. The mare had been wary of Nora in the beginning the way mares are with strangers, and Nora had simply waited her out, showed up every evening, stood at the rail, didn't push.

After about three weeks, the mare had walked to the rail on her own and Nora had held her hand out flat and let the mare decide. After that, they'd been easy with each other. I stood in the barn door for a moment watching her before she heard me. "How she doing?" I said.

"Good," Nora said. "She's restless but not worried. Another few weeks." I came and stood next to her at the rail.

"I looked at the books," I said. She looked at me. "The year," I said, "what the year did." She waited.

"You were right," I said, "about all three things. The grain contract, the fees, the mares, all three." She nodded. Not I told you, not any satisfaction in it. Just, "Yes, that's what the numbers said."

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He'd Given Up on Twelve Lost Horses — Then a Woman Rode Up With All of Them

7 Part