“I Married You Because You Were Ugly” — She Walked Away, and the Duke Chased Her to the Mountains

“I Married You Because You Were Ugly” — She Walked Away, and the Duke Chased Her to the Mountains

Chapter 11

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"You write all of these?"

"They can't afford a solicitor."

He looked at the papers. "You trained with a solicitor?"

"I read my father's library," she said. "He had four law books, and I read all of them twice because we didn't have much else and I was curious." She picked up her pen. "I know it's not formal training."

"I wasn't—" He stopped, tried again. "I wasn't criticizing. I was surprised. I didn't know."

"You didn't ask." The words were simple. No anger in them, just fact.

"No," he said. "I didn't."

She looked at him for a moment. Then she set her pen down again—a small concession, he understood, to the reality of this conversation. "What did you think I did with my time at the estate?"

"I thought you managed the house."

"I did manage the house. What did you think that meant?"

He opened his mouth, closed it. He was discovering, with some regularity now, that the things he had thought he understood about his wife were revealed on examination to be remarkably thin. "I thought it meant the staff. The meals. The social calendar."

"I managed the household accounts for 240 acres," she said. "I corresponded with six neighboring families on your behalf because you didn't have time and your mother found letter-writing tedious. I resolved three disputes among your field workers that could have become legal problems. I identified a billing error in your grain contracts that saved you $400 over two seasons." She looked at him steadily. "I did all of this, and you thanked me once in passing in the second month of our marriage. After that, you appear to have concluded it was simply happening on its own."

The kitchen was very quiet.

"I'm sorry," he said.

"I know. That's not sufficient."

"I know that, too."

She picked up her pen again. "But you said it like you meant it. That's different from the last time."

He watched her write for a moment—the precise, unhurried movement of someone who has made peace with the fact that the work is long and the work is worth doing. He thought about the four law books in her father's library. He thought about a fifteen-year-old girl reading legal texts because she was curious and there was nothing else. He had told her, in front of witnesses, that he had chosen her because no better woman was available.

He sat with that. He had been sitting with it for days. But sitting with Evelyn across from him, watching her pen move across the Carney petition, it had a weight it hadn't had in the abstract: a specific, undeniable gravity.

"Can I help?" he said.

She looked up.

"With those," he said. "I know the county land office. I know the water rights process in this district. I could... if it would be useful, I could tell you what language they respond to."

She looked at him for a long moment, measuring something. Then she slid the Beal letter across the table. "Tell me what's wrong with it," she said.

He read it. She had the substance exactly right, but the formal address was one procedural step removed from where it needed to go: she'd written to the county recorder when the survey dispute required the state land commission. He told her this. She listened. She asked two precise questions. He answered them. She rewrote the address and the opening paragraph, asked him to read it again. It was better.

They worked until the light changed. It was the longest conversation they had ever had.

He walked back to Reed's property in the mountain dusk and felt something he hadn't felt in a very long time, which was the specific satisfaction of having been genuinely useful to someone who did not require the performance of usefulness, but only the thing itself. He had not known he was missing it. He had not known, if he was honest, that it was possible to miss something you had never had.

The first real test came five days later, and arrived in the form of a wagon.

It came up the mountain road on a Wednesday morning: a good wagon, well-maintained, with a driver Nathaniel recognized from the Whitmore estate and a passenger he recognized with a cold, distinct drop of feeling in his chest. His mother.

Margaret Whitmore descended from the wagon with the composure of a woman who has identified a problem and taken decisive action to address it, which was what she had always done and would always do. She had on her best black dress, because she always did. She looked at the mountain landscape around her with the expression of someone conducting a property assessment on territory they had no intention of purchasing.

She had not told him she was coming. He found out because Reed came to the fence line where Nathaniel was working and said without preamble, "Wagon from the valley. Woman in black. Asking at the creek crossing where to find the Whitfield property."

Nathaniel set down the post driver.

He got to Agnes' house ten minutes after his mother did. Agnes Whitfield answered the door and led Margaret Whitmore to the front room with the precise hospitality of a woman who is being civil because it is the correct thing to do, and not for any other reason.

Evelyn was at the table. She stood when Margaret came in. Her face had the still, composed quality he recognized from the breakfast room—the expression that meant she was managing something.

Margaret looked at Evelyn. Then she looked at Nathaniel, who appeared in the doorway behind Agnes.

"I see you've been found," Margaret said to him.

"Mother—"

"I did not come here to speak to you," she said, with the clarity of a woman who has made this decision deliberately and intends to execute it precisely as planned. She turned to Evelyn. "I came to speak to your wife, if she'll permit it."

Evelyn looked at her for a moment. Then she said, "Agnes, would you mind?"

Agnes made a sound that communicated in one syllable her full opinion of the situation and her intention to comply anyway. She went to the kitchen. The door stayed open—Agnes's concession to the property being, after all, hers.

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“I Married You Because You Were Ugly” — She Walked Away, and the Duke Chased Her to the Mountains

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