“I Married You Because You Were Ugly” — She Walked Away, and the Duke Chased Her to the Mountains

“I Married You Because You Were Ugly” — She Walked Away, and the Duke Chased Her to the Mountains

Chapter 5

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Something moved in his expression—something that was not quite a smile, but was adjacent to it. "She mentioned me."

"She said you've been five inches over the property line for three years and act like she's speaking Greek."

"That is," he said, "one way to describe it." He looked at the garden. "You're tidying her rows."

"They needed it."

"She won't like it."

"She'll appreciate it when the carrots come in."

He looked at her again—the assessing look, but without anything unfriendly in it. "You just arrived?"

"Two days ago. From the valley."

"Yes." He didn't ask more than that. Something in his face suggested he understood that questions of this kind were not always his to ask, and that a woman with soil on her knees who had come to the mountains without explanation probably had sufficient reason.

"Tell Agnes I came about the north pasture fence," he said. "Post is down."

"I'll tell her."

He nodded. He put his hat back on and turned to go.

"Mr. Reed?"

He looked back.

"Which side is the post on?" she said.

He paused. A flicker of something—amusement, possibly, or respect—crossed his weathered face. "Hers," he said. "This time."

She nodded. "I'll tell her."

He went. She watched him go—this man who knew where he stood, and knew when he was on the wrong side of a line, and said so without theater—and she thought that there was something almost startling about the simplicity of it. She went back to her weeding.

By the end of the first week, she had repaired the kitchen garden, helped Agnes draft a letter to a neighboring family about a water rights dispute, and organized the barn loft in a way that made it possible to find things again.

By the end of the second week, she had begun walking the surrounding roads in the mornings, not for any particular purpose, but because the mountains in July were an education in themselves, and she found that her mind worked differently when her feet were moving on uneven ground.

On these walks, she encountered the village gradually: the miller's wife, Mrs. Carney, who had three children under seven and eyes that were always slightly desperate in the specific way of a woman who has too much to do and no one to help her think through it; old Mr. Beal, who sat on his porch every morning and had opinions about the weather; the schoolteacher, Miss Ruth Harmon, who was twenty-two and had been trying to get the village families to let their daughters attend lessons with the same persistence and lack of success for eighteen months.

Evelyn listened to all of them. She had always been a good listener, had been told so many times—often by people who meant it as a compliment, but delivered it in a tone that suggested they were also noting it as a limitation, as though listening were the lesser activity. She did not experience it as lesser. She experienced listening as what it actually was: the collection of information necessary to understand what needed to be done.

What needed to be done in this mountain village was considerable. Mrs. Carney needed someone to take her oldest child for reading lessons two afternoons a week so she could manage the others. Old Mr. Beal needed the boards on his front step replaced before he put a foot through one of them. Miss Harmon needed someone to speak to the Alderman family, who were the largest landholders in the immediate area and whose opinion carried enough weight to tip three or four other families in any direction they chose.

Evelyn was not by nature a woman who required permission to be useful. She borrowed two boards from Agnes and fixed Mr. Beal's steps herself on a Thursday morning. She took Mrs. Carney's eldest for two afternoons a week and found in the child—a serious, quick-minded girl of seven named Polly—a student who reminded her of herself at that age in ways that made her chest ache pleasantly. She went to call on the Aldermans with a jar of Agnes' blackberry preserves and spent an afternoon talking about her experiences running a household and organizing accounts for a large estate. And by the time she left, Mrs. Alderman had promised to send her two daughters to Miss Harmon's school.

None of this made her famous. None of it was the kind of thing that got remarked upon at dinner parties. But people noticed—the way people in small places always notice the person who simply, quietly does the things that need doing.

Thomas Reed noticed. He came by Agnes's property again. The fence question continued to provide occasions—and Evelyn suspected by now that the fence had become the excuse rather than the reason—and he would sometimes find her on the porch mending or in the garden, and they would talk. Not about much initially: the weather, the road conditions, the state of the Alderman mill. But he listened the way she listened: with full attention, without performing it.

One afternoon, he sat on the porch steps while she shelled peas into a bowl and said, "You're good with people."

"I like people," she said. "Most of them."

"That's not what I mean." He picked up a pod and began shelling it alongside her without being asked. "I mean, you know what they need before they tell you."

She thought about this. "My husband always said I spent too much time concerning myself with other people's problems." She hadn't planned to say that. It came out the way things do when your hands are busy and your guard is lower than you realize.

Thomas was quiet for a moment. "Man sounds like he missed something," he said finally.

She looked down at the bowl of peas. "Yes," she said. "He missed quite a lot, I think."

They shelled peas in the mountain afternoon, and the sounds of the place—the creek below Agnes's fence line, the birds in the big sycamore, the distant movement of something in the pasture—were around them. And Evelyn thought that this was the most natural conversation she had had with another person in two years. It shouldn't have been remarkable; the fact that it was said everything.

Back at the Whitmore estate, it took four days for Nathaniel to begin to understand the scope of what had happened.

The first day, he told himself she would return. She was upset; she had made a scene, which was unlike her. He had always valued her composure, and the scene itself troubled him more than the departure because it had been so public, and the Hargroves were still in the house, and the look on Mrs. Hargrove's face at the breakfast table had been... He set that aside. She would return. She had nowhere else to go. She would return, and they would be sensible about it.

The second day, he sent a note to Mr. Prentice in Alderman's. Mr. Prentice replied that he was not in a position to share information regarding the private affairs of his clients.

On the third day, Margaret came to his study and stood in the doorway with the expression of a woman who has been deciding whether to say something and has made her decision.

"The household accounts," she said.

He looked up from his desk. "What about them?"

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“I Married You Because You Were Ugly” — She Walked Away, and the Duke Chased Her to the Mountains

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